The Opener
I’ve been to three concerts lately where the opening act is just as good, if not better, than what I came to see. This phenomenon certainly rang true when Bon Iver came to town. His opening act was Other Lives. Like most opening acts, I was incredibly skeptical at first. But, soon a voice akin to Brandon Summers (frontman of Helio Sequence), with complex instrumental melodic lines intertwined with atmospheric bliss changed my mind.
The band is a Sigur Ros LP and a Godspeed You! Black Emperor album all rolled up in one. Unlike Sigur Ros (or Bon Iver for that matter), the lyrics are actually aurally intelligible.
I immediately swam through the crowd and bought the album the second they ended their set. I strongly suggest you do the same.
Bon Iver Has Arrived!
Jutsin Vernon (the principle songwriter for Bon Iver) has hit the big time with a crazy light show combined with an amazing sound engineer – props to whoever mixed the house and whoever designed the lights.
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Don’t Rush!
When playing music, don’t rush. Please. It is my simple plea; lay off the coffee, or grab a glass of wine before the concert. Do whatever it takes to move every song down at least 10 BPM. Sadly, Bon Iver often rushed its songs. I know concerts are exciting, and it must be a thrill to play for a packed Paramount Theatre, but I want something I can bob my head to. I want something I can tap my feet to. On record, Bon Iver provides that; live, it should do the same.
Music is wonderfully articulated melodic lines; it’s relaxing nuanced introversion. When I can feel whiplash when I bob my head, I think it’s sped up too far. However, if rushing is my only complaint, I think a concert can be a success.
Energy
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Verdict: 4 out of 5
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Andrew Jacobson is the director of Choral Studies at Bellevue Christian School in Bellevue, WA. He holds an M.M. in Music Education from Boston University, as well as a B.M. in Music Education from the University of Washington. He loves wine, food, reading, music, and movies. You can reach him at arjacobson@gmail.com.
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