Showing posts with label East Harlem. Show all posts
Showing posts with label East Harlem. Show all posts

Friday, January 13, 2012

Film Review: Waiting for "Superman"

Waiting for "Superman" directed by Davis Guggenheim (Electric Kinney Films, Participant Media, Walden Media, PG, 111 minutes)

Starring: Geoffrey Canada, Michelle Rhee, and Bill Strickland

A Good Teacher Is Hard to Find

I’m a teacher and I consider myself a decent one. I care about my students, work hard, and push myself constantly so that I can stay ahead of the curve. One would think that this mindset would be the norm for education professionals, but it isn’t. Reality suggests that good teachers are few and far between; this state should not exist. Geoffrey Canada says it this way in Waiting for "Superman",
“No matter where we live, or what we believe in, when we believe in our school systems, we take a leap of faith.”
In the documentary, Geoffrey Canada (CEO of the Harlem Children’s Zone), Michelle Rhee (former chancellor of the Washington D.C. public schools), and Bill Strickland (CEO of the Manchester Craftsmen’s Guild) look at the failing American school system, and why it isn’t working. For the sake of brevity, I’ll outline two of their reasons for you in this review: teachers and unions.

Good and Bad Teachers

Unbeknownst to me, there is a kind of school termed a “dropout factory” where over forty percent of students fail to graduate. The film used Theodore Roosevelt High School in Los Angeles as an example, where two thousand students annually don’t graduate. Most place the blame of this terrible dropout rate on the marginalized neighborhood, but the opposite of this statement is true. Failing neighborhoods result from failing schools, and failing schools are based on failing teachers. Canada states,
“You simply cannot have great schools without great teachers.”
While it might seem obvious, most have ignored this simple fact. Terrible teachers impede both the success of a school and a student’s life. Waiting for "Superman" discusses this fact in great depth, mourning the notion that bad teachers are allowed to have job, mainly due to tenure and the teacher’s union.


A bad teacher is characterized as a teacher who only covers fifty percent of the material, while a good teacher covers one hundred and fifty percent of the required curriculum (curriculum that is required by the district and general education standards). Sadly, the documentary reveals that these bad teachers effect the U.S. education tremendously. Canada argues,
“If we replaced the bottom six to ten percent of teachers with average teachers, we would bring the level of U.S. education up to the level of Finland.”
Finland currently leads the world in education, and the U.S. could find itself level if it replaced the lowest of our teachers. It doesn’t require huge educational reform, just getting better teachers.

Getting Better Teachers

If I had a dollar for every time I considered leaving the teaching profession for better pay, I could retire right now. Teachers get paid terribly, and that seems to be part of the problem.

Michelle Rhee, when she was acting chancellor of the Washington D.C. public school system derived a way to get better teachers—give them better pay. The catch was that if they denied tenure, they would get a six figure salary (any teacher reading this blog now is assuredly drooling).

If the teacher chose to keep tenure, they would only get a modest pay increase. That way good teachers would flourish financially and push themselves to be better teachers for fear of losing their jobs due to lack of tenure, and the bad teachers could remain with modest pay.

To me, this idea sounded like a brilliant solution: better pay attracts good teachers. And, with the better pay came a price, the teachers actually had to work for it. But, the unions shot it down, and wouldn’t even raise the proposal for a vote.

Unions: An Utter Failure

The NEA and the AFT (the two biggest teachers unions) believe that distinctions shouldn’t be made among teachers. Frankly, as a teacher who works hard to improve, I don’t want to be lumped in with the mediocre and terrible. According to Michelle Rhee, teachers unions won’t even allow the increase in teacher pay so that all can be somewhat equal around the country.

Therefore, Waiting for "Superman" states that unions have become an impediment to reform in education. Until unions allow the education profession to be performance based like the rest of the job market, reform simply won’t happen.

Though it is my profession, I teach in private schools, and haven’t been really involved in the policies of public education. This movie is saddening, bewildering, and frightening at every level. It reveals through poor teaching quality, low pay, and stubborn unions how a society has given up on the one thing in life that can never take away from us: our education. I recommend this documentary for anyone wanting to see the inner workings of our educational system, and how it might be reformed.

Verdict: 5 out of 5
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Posted by: Andrew Jacobson

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Monday, October 24, 2011

Album Review: The Rip Tide

The Rip Tide by Beirut (Pompeii Records, 2011. 33 minutes)

Originally the music project of New-Mexico-native Zach Condon, Beirut is an indie rock band which combines Eastern European music, Balkan folk, and Western pop music. While traveling through Europe in his youth, Condon fell in love with world music. This love prompted musical experimentation that resulted in the band. While attending the University of New Mexico, Condon recorded his first record, GulagOrkestar, in his bedroom. He shopped the record to labels and ultimately signed with Ba Da Bing! Records. Before releasing The Rip Tide, Condon founded Pompeii Records giving him full control over his music.

Evaluative Difficulty

I find it difficult to review music. Of all art forms, it is the easiest to passively consume. I can listen to the same album every day during work without learning the lyrics or grasping the artistic structures surrounding the composition.

Moreover, people appreciate music for different reasons and different ways. Some need catchy melodies; others need deep lyrics; some want emotive lyrics; and others desire technical musicianship. If an album possesses one of these facets, it is a success for some but a failure for others. In the wake of these revelations, how could anyone critically evaluate popular music?

A Good Record

Having explained my troubles, let’s move to Beirut’s new release, The Rip Tide. I enjoy this record but I find it difficult to explain why I feel this way. The album does not contain an overarching theme and its music is not overly complex; but I still interact positively with its songs. Zach Condon’s weaving melodies, clever use of horns, and pristine production make for an enjoyable record.

To the Songs

Although the album carries no large-scale theme, the songs are intriguing. First single, “Santa Fe” offers an upbeat tune with tremolo instrumentation. During the chorus, Condon wails,

“Sign me up Santa Fe / Call your son / Signe me up Santa Fe / On the Cross Santa Fe / And all I want.”


Interestingly, Santa Fe possesses dual meaning. Speaking plainly, it refers to a city in New Mexico. This interpretation emits feelings of fondness for an urban landscape. Yet, Santa Fe also means “holy faith.” Thus, the lyrics could also be interpreted as a plea of belief.

“East Harlem” is another highlight of the record. With acoustic instrumentation, beautiful horn melodies, and lyrics of longing, the song unveils impeccably when Condon croons,

“Another rose wilts in East Harlem / And uptown downtown a thousand miles between us / She’s waiting for the night to fall / Let it fall, I’ll never make it in time.”


Lastly, The Rip Tide’s closing song, “Port of Call,” bookends the album perfectly. With ukulele-driven instrumentation, Condon provides perhaps his best vocal performance. In fact, I would go so far as to say that the lyrics of the song are my favorite of the record.

“And I, I call through the air that night / My thoughts were still blurry inside / We were closer then, I’ve been alone some time / Filled your glass with gin / Filled your heart with pride / And you, you had hope for me now / I danced all around it somehow / Be fair to me, I may drift awhile.”


Also, as an aside, the title “Port of Call” is etymologically related to Portugal giving the tune a setting.

The Parts that Comprise the Whole

With intriguing parts, it is easy to conclude that the whole of the album is excellent. Of course, music offers different conclusions for different people and I have found it difficult to convey the way I feel about The Rip Tide. Bottom line, though, is that I love the album enough to recommend it. So give the record a spin!

Verdict: 4.5 of 5